PROJECTS

residences, choreographic work and researches that I have been directing and/or co-creating  

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OAXACA RESIDENCY 

Estudio Abierto, Oaxaca 

March 2023



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TICTAC ART GALLERY RESIDENCY 

TICTAC ART CENTER, Brussels

June 2023



VERSES

VERSES

2018-2023

Valparaiso/London/Sardinia/

Eindhoven/Devon


Verses is a series of seven studies.

Each of them stands as a piece on its own. The verses can be arrange in different orders.


Choreography and performance: Fionn Cox Davies and Florencia Martina


Sound: Marcos Meza and Fionn Cox-Davies


CANAL birth; a beautiful and difficult beginning

HOLY MARY grotesque and ridiculous ritual

SACRIFICE need for destruction

THE MOON Caligula and the impossible

LICKING the creature and its need for connection

SORRY NOT SORRY mind noise

FRAGILITY search for care and tenderness


WHAT WILL REMIND AFTER ALL?

Florencia&Fionn

2018-2023

Eindhoven/Mallorca


WHAT WILL REMAIN AFTER ALL?

What will remain after all? New research supported by United Cowboys (Netherlands) and CINE (Mallorca). Using as starting point 100 positions from Kamasutra positions, the work questions interpersonal dynamics, friendship, sex and sexless bonds. Florencia Martina and Fionn Cox-Davies are friends and collaborators working across dance, music and visual arts since 2011.


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RUPTURE IN THE CRUST

RUPTURE IN THE CRUST

2022- ongoing

supported byBKM, NEUSTART KULTUR und Dachverband Tanz Deutschland


to mark the intervention: gold in the crack an ornamented fracture

Japanese sealing method that fills in with resin and metal; gold, silver or platinum, a reparation that exposes cracks discussion at the Acropolis, restore with concrete then return to marble, leaving in evidence the exercise of restoration clearly changing the colour the material because the destruction is not erased in pieces of history, time shows broken surfaces

in its hands corridors of fire, lineaments of volcanoes capturing the meeting points between diverging tectonic plates tunnels that, from time to time, exude lava geological constitution that burns daily in its permanent internal fire looking at the end can be inherent to the geography of the planet, a daily apocalypse event end of 2020 -what are your wishes for the upcoming year? not to pass it - answered the 94 years old man without sarcasm, longing for a cut, wishing to delimit to forget fugues, drippings, leakages, closures latency of a conclusion incapable of reactivation I am I an active element of the end?


Working with printmaking, clay and dance, the project elaborates on the idea that one and its surroundings are, in various historical and personal phases, experiencing a rupture or end. The project questioned the state of finality, fracture and limit as a constituent characteristic of the subject and of the Earth. The research inquired material and poetic analogies between; geographical elements of the earth's surface like volcanoes, caves, tectonics plates that act as perforations, cracks, leakages; spaces of rupture in daily materials and surfaces like screams in walls, leaks in ceilings, fissures in objects, archaeological ruins; and; physical and emotional spaces of dissipation in the body like brain cracks, bone fractures, tear troughs, pupils, act of forgetting.


DELIRIUM AND DICOURSES

2016-ongoing


D+D is a physical practice of instant composition that dialogues movement with spoken text. It exists as a personal practice and as a performance. The investigation aims to identify how information remains in a body, and how that body choreograph with it.

I study the process of selection, rendering and archiving while simultaneously dancing. I see it as a live broadcasting dance. What do I listen to? what do I remember from what I had listen? how did I dance while listening certain thoughts? How can I recall the choreography and the content of the audio? Since 2016, I have been dancing to diverse podcasts, readings and interviews regarding ecologic crisis, feminism and queer theories, analytic philosophy, cognitive science and poetry.


no song

no colour

no family

no church

no party

no pet

no home

no nightmares

nor dreams

swimming in the nothingness of the everything

and everything can be too much

so

I secretly dream / I secretly trust / I am secretly superstitious


surviving the logics of disengagement and scepticism

longing for reasons I am searching grounds

principles

wishing meaning

and joy, reasons to live, do

to pursuit

MOLY

(R&D)

MOLY (R&D)

Berlin 2022-2024


There is something maddeningly attractive about a word that goes silent in transit.

(Anne Carson)


MOLY is a collaboration with Daniella Santibañez based on Anne Carson essay "Variations on the right to remain silent”. Together we have been developing dances to expand on what a system of translation means.



AROUND

Full performance: link on request

AROUND

The Place, London 2014


Choreography : Florencia Martina


Performance: Anders Duckworth

and Ajani Johnson Goffe


Music :La Habanera by Maria Callas, Bizet’s OperaCarmen

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THE BIG MOMENT

THE BIG MOMENT

The Place, London 2014


A tribute to absurdity and beauty. A celebration of joy

in solitude.


Choreography and performance: Florencia Martina

Mentors: Frank Bock and Anna Williams

Mnstallation: Florencia Martina

video: material taken from NASA.org